-40%

Xcellent Nikon N8008 (F801) plus MB-25 Speedlight & extras..

$ 68.64

Availability: 100 in stock
  • Format: 35 mm
  • Brand: Nikon
  • All returns accepted: ReturnsNotAccepted
  • Features: Auto Exposure
  • Condition: Seller refurbished
  • Color: Black
  • Type: SLR
  • Focus Type: Auto & Manual
  • Model: Nikon N8008

    Description

    Xcellent Condition Nikon N8008 (F801) plus MB-25 Speedlight & extras..
    Reducing my inventory, film tested..
    Comes loaded with:
    1) NEW MB-10 battery grip
    2) Rare MF-20 data back
    3) clean/sharp Nikkor 28-80mm 3.5-5.6 D lens w/cap
    4) Hoya UV filter
    5) Nikon MB-25 Speedlight (battery compartment shows a little tarnish but works flawlessly)..
    **All my camera equipment is packaged tight with care in bubble wrap w/ “Fragile, DO NOT DROP stickers”
    Released in 1988, Nikon’s top-of-the-line 35mm SLR camera for photo enthusiasts, nestling just under the professional-grade F4 in the Nikon lineup. It was made to last, had outstanding specs, and positioned Nikon to challenge Canon in the arena of autofocus SLR cameras (this being Nikon’s second, and best AF SLR). Metering is virtually flawless on any setting, consisting of average matrix metering and center-weighted metering (75 / 25%), with center-weighted metering in particular yielding impeccable results every time.
    Test film developed without a single under-or-over-exposed shot in even the trickiest lighting situations.
    But the camera’s strengths don’t end with the fundamental core of AF, shooting modes, and metering. It also offers a wide range of secondary controls that are hard to top in the world of vintage cameras. Exposure compensation is available in 1/3 stop increments up to a rather strong +/- 5 EV, pretty excellent for those who love the rapidity of exposure compensation. Depth-of-field preview is available via a well-positioned button aside the lens mount. There’s available exposure lock, autofocus lock, 3.2 FPS continuous shooting, multiple exposure shooting of up to nine exposures in a single frame, automatic film-loading and rewind, and the list goes on, and on.